ARTIST IN RESIDENCE
Goldie Raye
Goldie Raye (b. 1994, Madison, WI) is a painter and multidisciplinary artist whose work explores color as a meditative field. Through repetition that balances chaos and order, stillness with intensity, Raye creates immersive spaces that invite viewers into quiet states of presence and reflection. Her practice is rooted in a study of light and visual data - layering pigment until the surface becomes a mirror of the phenomenal self model.
She received her Bachelor of Science in Art from the University of Wisconsin-Madison in 2018.
ENVIRONMENTAL NARRATIVES
THE PAINTERS STUDIO
The painters life unfolds in quiet obscurity, echoing the long and uncertain path of many before who wrestle with doubt as much as with paint. Days bleed into nights in the solitude of the studio, where canvases lean unfinished against walls covered by marks for previous works each one a reminder of the restless search for form and meaning. Some work is slow, sometimes abandoned unfinished haunted by questions of worth and vision. Part-time gigs and commercial projects-illustrations, teaching gigs, design jobs-pay the bills but never feed the spirit. Through these lonely hours and second-guessing, the practice remains a devotion to unfinished conversations with color, line and self.
“I paint myself because I am alone. I paint myself because I am the subject I know best.” - Frida Kahlo
“Solitude, even prolonged solitude, can only be of very great benefit.” - Louse Bourgeois.
ARCHETYPE
“A typical example of something, or the original model of something from which others are copied.” Oxford Languages
Our world is defined by archetypes to create meaning and how they influence our experience of space and the world around us.
Thomas Thiis-Evensen book, Archetypes in Architectural, explores the fundamental elements of architecture and how they relate to human experience. Architecture defines the relationship between inside and outside space and is the creation of an inside within an outside. Floors, walls, and roofs define this relationship and how they contribute to our experience of space, motion, weight and substance.
Frank Lloyd Wright nearly a century before helped welcome the outside in with his prairie school style of architecture. Charactercized by horizontal lines and integration with the landscape, FLW influenced architects worldwide.
WI SPORTING CLUB
The Northwoods has a way of slowing your senses down. The way light paints in shadows or cuts through morning mist. The smell of earth underfoot in a deep canopy of evergreens or fragrant spruce wafting in waves. Hearing a loon echo across a cold body of water or mostly listening for its partners return call.
Giants of conservation such as Aldo Leopold and John Muir had a way of putting in words to what our senses already know. Or a grandparent reciting passages from these works as they tie flys, polish a camera lens, or carve a new duck call as the glow from the hearth help light the cabin.
ABIQUIU
Native daughter of Wisconsin, Georgia O’Keeffe’s influence stretches from WI to the concrete and asphalt jungle of NYC to the sun bleached adobe facades of New Mexico. Her artistic approach or vantage point, has been lauded and copied by many. In New Mexico, where, in 1940, O’Keeffe bought a home at the Ghost Ranch in Abiquiu, she wore denim and painted the landscapes, she loved to wear men’s shirts paired with bluejeans. She honed her style by borrowing from other nations, too. When she travelled to Japan, she returned with kimonos, one of which she is wore, open and loose, in a Paul Strand portrait from 1918. It’s through this vantage point we created our narrative, Abiquiu.
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